Anyone who claims that boys don’t cry wasn’t part of the 1986 audience that first witnessed Optimus Prime’s death. I bawled for the lost character, which in later years made me appreciate how much we can connect with fiction. I’ve witnessed other people’s reactions over time.
Another man grew up to be a head creative director for the Alamo Drafthouse and would show the 35mm film again in 2015. Addressing the audience, he said that the movie showed him at a young age that not all heroes survive. Not all causes can be won without sacrifice.
Another man became an artist and featured his craft at comic and anime conventions. Many of his pieces featured Hot Rod in various states of injury, destruction, or humiliation. He never forgave the young Autobot’s blunder.
Don Figueroa saw the same movie as well. His recent comic, Transformers Deviations, carries the tone of someone with a similar vendetta. Deviations is a “what-if” comic issue that asks how the movie might have unfolded if Kup had prevented Hot Rod’s intervention.
A single issue attempts to encapsulate the movie, even though IDW allowed a 4-part adaptation in 2006. If you thought the movie went fast, better bring a neck brace for this!
When I say this story carries a vendetta it’s because the plotline does its best to eliminate all the “new” Transformers from the movie. With Megatron slain, none of the discarded Deceptions have bargaining power with Unicron and are devoured. So no Cyclonus or Scourge. Starscream instead makes a deal with the world eater and becomes Megascream, a Decepticon able to form a gestalt. I wouldn’t be surprised to see him in the Combiner Wars toyline. Ultra Magnus and most of the other newcomers are killed in the course of the events, cursing Hot Rod’s name.
Oh yes, Hot Rod is the focus of this comic’s contempt. It may seem natural at first that he would doubt himself after seeing that Optimus could handle himself. Yet every other Autobot insults him, questions his loyalty, and wishes he wasn’t there. They’re less forgiving than when he actually got Prime killed. To have Hot Rod doubt himself would be natural character development. To have everyone else hate him for trying suggests that the author is projecting his own resentment.
Optimus, by contrast, is shown in a position of absolute power. The Autobots in the movie were constantly in flight, chased by Decepticons across space and accomplishing a last-minute miracle. Optimus never suffers that vulnerability. He keeps the Autobots together, lands safely on Quintessa with a full force to overthrow the Quintisons, then goes off to confront Unicron, solo.
While Optimus appears mighty, the stakes are much less than in the original storyline. There is no desperation. No sense that the Autobots are facing an impossible task. Optimus is perfect, and thus no force can stop them.
Hot Rod’s only redemption is to sacrifice himself against Unicorn, taking out Megascream, Soundwave, Astrotrain, Dirge, and Thrust. Can you imagine how ruined the cartoon and toy line would have been if this had happened? Rather than opening up future adventures, this comic kills off most of franchise’s iconic characters except Optimus.
And yet I get the impression we’re supposed to be glad that Prime lived, even though the Autobot body count is actually higher than the movie. The movie cast is mostly dead or left forgotten in the void, but that’s all fine because Optimus is still there to quote movie lines.
Looking at this comic, I realize that however poorly conceived Optimus Prime’s death might have been, its impact had so much more meaning. Sacrifice for a cause has little affect when Ultra Magnus and company are killed, for they have no presence. Had this been the true storyline, the audience wouldn’t have cared.
Hot Rod is the target of years of resentment, whether consciously or not. He is all but vilified while Optimus is elevated. If there’s a lesson to take from this, I urge readers to understand that promoting one character at the expense of the another cheapens both. Characters and real people show their strongest when they are surrounded by others who put forth their best.
I find that this comic was too rushed, too crowded, and too personal a grudge to really work on its own. I can’t help but compare it to actual movie, as it’s trying to present an alternate flow of events. The tragedy and triumph we remember in that film had meaning because something important was lost. A story that relies on hero worship may vent a grudge, but does not make for its own great tale.